Perishing by publishing

[K-]72. There is no greater impediment to progress in the sciences than the desire to see it take place too quickly. This is very characteristic of brisk and lively people, which is why they seldom achieve very much: for they are cast down and give up as soon as they perceive they are not advancing. Yet they would have advanced if they had used less energy and taken more time.

— Georg Christoph Lichtenberg (translated by R. J. Hollingdale), The Waste Books (New York : New York Review of Books, 2000 [1990]), pg. 201.

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A bottleneck in cultural transmission

Yet what any individual in the Frankish Empire [of the 8th century AD] got to read was often a matter of chance. The full range of classical literature was by no means still available in its entirety. Much had disappeared and had been lost forever. Because of lack of knowledge of the language, almost everything in Ancient Greek had by now vanished from the educational canon of the Latin people, insofar as those works had not been translated or popularized in Latin in the classical period or late antiquity. Indeed, the image we have of ancient Roman literature has to this day been fundamentally shaped by the Carolingian age’s eagerness to read such works. Every piece of Latin literature that this period managed to get hold of and save has been preserved for posterity; conversely, the works it shunned or never got to know have been lost forever.

— Johannes Fried, Charlemagne (Cambridge, Mass. : Harvard University, 2016), pg. 274.

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The accumulative cycle of civilization

The most impressive application of Ibn Khaldun’s approach is his historical and sociological elaboration of the cyclical pattern of rise, peak, and decline. If a society becomes a leading civilization or even the dominant culture in a region, according to Ibn Khaldun the peak of this civilization is always followed by a period of decline. This means that the next cohesive group that conquers this civilization is a gang of barbarians by comparison. Once they have established their control over the conquered civilization, these barbarians are attracted by its more refined aspects, such as literature, art, and science, which are subsequently assimilated or appropriated by the oppressors. The upshot is that the next group of barbarians repeats this process, as a result of which the pattern of peak and decline actually leads to an accumulation of knowledge and culture.

— Rens Bod, A New History of the Humanities; Oxford, England : Oxford University Press, 2013; pg. 97.

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When people had to see

“Before cameras, educated, well-to-do travelers had learned to sketch so that they could draw what they saw on their trips, in the same way that, before phonograph recordings, bourgeois families listened to music by making it themselves at home, playing the piano and singing in the parlor. Cameras made the task of keeping a record of people and things simpler and more widely available, and in the process reduced the care and intensity with which people needed to look at the things they wanted to remember well, because pressing a button required less concentration and effort than composing a precise and comely drawing.

–Michael Kimmelman, The Accidental Masterpiece : On the Art of Life and Vice Versa (New York : Penguin, 2005), pg. 33.

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Walls, cities, and barbarians

“The premodern city was a walled space protected by defensive installations. Even when walls no longer fulfilled a military purpose, they continued to operate as customs boundaries. When they lost that function too, they served as symbolic markers of space. Whole empires expressed their superiority over the ‘barbarians’ around them by the sheer force of their technological, organizational, and financial capacity to build walls. Barbarians might destroy walls–they could not put them up. Walls and gates separate city from country, compression from dispersion. […] [S]ince the 1980s Americans have enjoyed putting up new walls: the ‘gating’ of prosperous apartment complexes and city districts, combined with protective walls, tall fences, and watchtowers, is still a growing trend. This colonial practice spreads whenever income differences and socially segregated housing reach a certain threshold. It has become common even in the big cities of (still officially socialist) China.”

–Jürgen Osterhammel (trans. by Patrick Camiller), The Transformation of the World : A Global History of the Nineteenth Century (Princeton, N.J. : Princeton University, 2014), pg. 297.

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Literature versus composition

“[T]he culture of [collegiate] English departments [is] structured by an invidious binary opposition between writing teachers and literary scholars that could not be improved by tinkering. Because the profession was organized by–indeed, founded upon–this distinction, it could be undone only by a deconstructive process striking at its roots. […] English departments need composition as the ‘other’ of literature in order to function as they have functioned. The useful, the practical, and even the intelligible were relegated to composition so that literature could stand as the complex embodiment of cultural ideals, based upon texts in which those ideals were so deeply embedded as to require the deep analyses of a trained scholar. Teachers of literature became the priests and theologians of English, while teachers of composition were the nuns, barred from the priesthood, doing the shitwork of the field.”

–Robert Scholes, The Rise and Fall of English : Reconstructing English as a Discipline (New Haven, Conn. : Yale University, 1998), pgs. 35-36.

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The fading cachet of English lit

“To put it simply, the quasi-religious status once accorded English literature by a class of individuals whose background was mainly privileged and Anglo-Germanic is hardly viable any longer. […] Men and women of letters, whether in or outside of the academy, have a reduced stature today in comparison to major figures in the film and television world. Young people who once wanted to be Hemingway (and many did) now want to be Scorsese, Spike Lee, or Spielberg. Moreover, a knowledge of English literary history is simply not the password to managerial and professional positions that it may once have been. Which is another way of saying that what happened to Greek and Latin is now happening to English. What this society wants of those who graduate from its schools and colleges with degrees in the humanities–as opposed to what many of those who claim to speak for it say it wants–are, at worst, docility and grammatical competence, at best, reliability and a high level of textual skills. What this society does not want from our educational institutions is a group of people imbued with critical skills and values that are frankly antagonistic to those that prevail in our marketplaces, courts, and legislative bodies.”

–Robert Scholes, The Rise and Fall of English : Reconstructing English as a Discipline (New Haven, Conn. : Yale University, 1998), pg. 19. (Italics in the original.)

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